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For any of you coming through Paris this week, I welcome you to join our Media Aesthetics conference (information below). If you are interested, please email me jharsin@aup.edu so that I may put you on the list of visitors. best wishes, Jayson Harsin

Media Aesthetics: Experience, Practice, and Pedagogy

 

May 2-4, 2024

 

The American University of Paris

Room q-801

6 rue du colonel Combes

75007 Paris

 

Buffett Institute for Global Affairs, Northwestern University

Global Culture and Communication, Northwestern University

Center for Media, Communication, and Global Change, The American University of Paris

The media aesthetics project examines and engages the saturation of ordinary life by varieties of constant mediation, while also examining the diverse array of mediated experiences and modernities worldwide. Here we have in mind new forms of digital technology from smartphones, ubiquitous wireless networks, social media, and streaming platforms. Art forms such as literature, cinema, music, and visual art remain important here. But now, with the durationally encompassing nature of contemporary mediation, we look to aesthetic experience broadly for its power to navigate the everyday. Focusing on the aesthetic nature of mediated experience offers an opportunity to put aside the overwhelmingly negative ways in which media users are interpellated in most discourses (as neurologically addicted, as lacking attention, as victims of Silicon Valley, etc.) in favor of accounting for the real texture of people's ordinary lives. Here we are thinking of aesthetics not just in the sense of art or discourses on art but also in the Greek sense championed by Walter Benjamin in his artwork essay, namely aesthetics as aisthesis or a sensibility rooted in perception and sensation. Aesthetics in our view offers a crucial arena of investigation in its attention to sensory experience, textual form, and collective world-building. Our project asks: what does it mean to regard contemporary experience by privileging the aesthetic? This conference addresses this question by pursuing the promises and possibilities of an aesthetic education specific to ordinary life in the twenty-first century. What critical language and techniques can best respond to this moment in pedagogy and scholarship? How can we mobilize crosscurrents in humanistic disciplines to navigate, endure, survive, and find pleasures in this increasingly technological historical present?

 

 

Fatima Aziz (Communication, Media, and Culture, The American University of Paris)

Clément Bert-Erboul (Digital Sociology, Université Paris 3 Sorbonne Nouvelle)

Dilip Gaonkar (Rhetoric, Media, and Publics, Northwestern University)

Bishnupriya Ghosh (English, University of California, Santa Barbara)

Jayson Harsin (Communication, Media, and Culture, The American University of Paris)

Dahye Kim (Asian Languages and Cultures, Northwestern University)

Joshua Neves (Cinema, Concordia University)

Patrick Noonan (Asian Languages and Cultures, Northwestern University)

Noémie Oxley (Communication, Media, and Culture, The American University of Paris)

Robert Payne (Communication, Media, and Culture, The American University of Paris)

Bhaskar Sarkar (Film and Media Studies, University of California, Santa Barbara)

Domietta Torlasco (French and Italian, Northwestern University)

 

 

Thursday, May 2:  

 

 9:30- 10 am.

Introductory Remarks: Dilip Gaonkar and Jayson Harsin

 

Session 1: 10am -12,00 noon: Lecture Panel: Media Aesthetics Now

Moderator: Geoff Gilbert (The American University of Paris)

Domietta Torlasco (Northwestern University): "Aesthetics Now"

Bishnupriya Ghosh (University f California, Santa Barbara): "Media Now"

Bhaskar Sarkar (University of California, Santa Barbara): "Media Aesthetics Beyond Aesthetic Media"

 

Lunch

 

Session 2: 1:00-2:30pm: Media Theory and Media Aesthetics

Moderator, Chloé Galibert-lainé (AUP)

Joshua Neves (Concordia University): "Metabolic Mediations"

Robert Payne (The American University of Paris), "Materialities of Desire"

 

Coffee Break

 

Session 3: Lecture Panel: 3:00-5.00pm: What is Media Aesthetic Education?

Moderator: Jayson Harsin

Domietta Torlasco (Northwestern University): "On Play as Liberatory Practice"

Noémie Oxley and Fatima Aziz (The American University of Paris): "Engaging with the War on TikTok: New Imaginaries of Contemporary Conflicts"

Clément Bert-Erboul (Université Paris 3 Sorbonne Nouvelle): "Watch Yourself

Work by Watching Me Work: Exploring the Aesthetics of "Study with Me" YouTube Videos"

 

 

Friday, May 3:  

 

Session 4: 10.00am-12.00 noon: How to Teach Media Aesthetics? Workshop on Syllabi; Pedagogical methods for Media Aesthetic Education Project

Patrick Noonan (Northwestern University): "Cultures of Information:

Neoliberalism, Affect, Media"

Domietta Torlasco (Northwestern University): "On Non-method: Teaching After Roland Barthes and bell hooks"

 

Lunch

 

Session 5: 1.00-2.30pm: Global Media Cultures: Platforms, Mediums, Aesthetics

Moderator, Eric Maigret (l'Université de la Sorbonne Nouvelle)

Dahye Kim (Northwestern University): "The Age of Speculative Spectacle: Stock Market Gamblers and the Aesthetics of Self".  

Bhaskar Sarkar (University of California, Santa Barbara): "Bollywood's Global Gesture"

 

Coffee Break

 

Session 6: 3.00-4.30pm: Aesthetic Education of Citizen: Information, Misinformation, and Democracy Under Duress

Moderator, Zed Gao (American University of Paris)

Jayson Harsin (The American University of Paris): "Not About (Dis)Information:

Performative Truth-Bearers and Popular Politics"

Dilip Gaonkar (Northwestern University): "Media Aesthetics and Political Judgment"

 

Session 7: 10am to 12noon: Workshop on Key Word/Key Themes for Media Aesthetics Project